A piano, ANY piano, should only be moved by professional piano movers and NOT by standard house movers if you want to avoid damage. It is an expensive and delicate keepsake that requires special care. Pianos are composed of a myriad of complex internal mechanisms, and while the heavy weight of the instrument might suggest an indestructible piece of furniture, it is anything but. When the piano is delivered, ask the movers to try several different positions to see what you like best. A baby grand piano looks and sounds beautiful from many different angles.
The one exception might be that if you have the piano lid opening directly into the wall, you will restrict the “sound bloom” of the piano. Now that you’ve worked out the space the baby grand piano will occupy – how will you position it? Keys to the wall or keys into the room? Tail in or tail out? The good news is that there is no right or wrong.
UPRIGHT PIANO WITH 2 WINDOWS ON TOP INSTALL
You can have your piano technician install a Piano Life Saver System which is a humidifier and dehumidifier all in one. So, what do you do if your placement options are limited and your humidity fluctuates? There are remedies. Changes in humidity will result in a piano requiring more tuning, prolonged extra dry air may cause soundboard cracks, while extra humidity might cause strings and other metal to tarnish and keys to stick. Significant humidity fluctuations caused either by excessive air conditioning or heat from a furnace or fireplace will cause wood to expand and contract. Pianos prefer a stable humidity level – 45% is ideal. If you have windows treated with a protectant film, this is not a concern. Try to avoid direct sunlight because UV rays can fade the wood finish.
When planning your room, there are several things to consider when placing a baby grand piano. The globalization and development of piano production in Asia by many manufacturers brought pricing down dramatically, while the use of computer-controlled machinery continues to increase the quality and affordability of entry level models. In today’s piano world a variety of baby grand piano choices are available, including rare woods, acrylic components, metal components and customized colors and shapes. The idea of all this detailed work is to make a baby grand, constructed with as much care, sound like Fazioli’s magnificent grand pianos, but suitable for a smaller environment than the concert hall. Faziolis include very fine voicing - even perfect tuning of the duplex scales. An incredible level of detail goes into their design and construction. Similarly, three different types of wood are used for the bridge caps, chosen for the most efficient transmission of tonal energy for a particular register. As an example, the maker of the Fazioli F156 baby grand, one of the finest pianos made, says that a critical factor in the sound of its pianos is the scientific selection of its woods, such as the “resonant spruce” obtained from the Val di Fiemme (where Stradivari reportedly sought woods for his violins.). High-end piano manufacturers have been very successful at perfecting the sound of baby grand pianos. Since tonal quality of a piano is directly affected by the size of the soundboard and strings, manufacturers fight to create the best sound output for every square inch of the baby grand. This new diminutive model – the baby grand – features a smaller soundboard and shorter strings – everything else remains the same. So, in order to downsize the grand piano, it would have to be the string length and the tail of the piano that could be altered, not the width. More innovation would come with actions and stringing inside the case but the keyboard width itself could not be made smaller and still satisfy the wide musical scope of pianists. The 88-key keyboard had evolved (acoustic pianos with less keys were produced until the 1900’s) and become the standard piano width. So how do you downsize a grand piano to a “baby” grand? Upright pianos were being used because they didn’t take up a lot of floor space, but many people preferred the look of the three-legged design, if it was only smaller. However, the increasing popularity of the piano in private homes, resulted in the need for a smaller grand piano. In time, larger concert halls and venues required more powerful sound, so the concert grand evolved into 9 and 10-foot pianos for professional solo and orchestral needs. Originally, in sizes ranging from 6 to 8 feet, they were used in salons and house concerts. Grand pianos, the three-legged “horizontally-sitting” stringed instruments were developed 300 years ago, an offshoot of the harpsichord and pianoforte.
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